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Orchestral
Deep Dazzling Darkness (2025) 24’ solo double bass – string orchestra

Commissioned by Orchestre National d’Auvergne-Rhône-Alpes

Performance materials: available here
Thaleia – flute concerto (2023/24) 21’  3.3.2.2. – 4.0.0.0. – hp. 2 perc. – solo fl./picc. – strings (10.8.6.4.2.)

Co-Commissioned by the Orchestre Philharmonique Royal de Liège and the Philip Loubser Foundation

Performance materials: available here
Voix Terrestre (2022) 23’  string orchestra

Commissioned by Orchestre National d’Auvergne

Performance materials: available here
      Voix Céleste
(2021) 15’ string orchestra

Commissioned by Orchestre National d’Auvergne

Performance materials: available here
      Somewhere in the Distance (Lost in the Horizon)
(2021) 19’ spatialised orchestra with ondes martenot and tape (4[B.Fl].2.4[B.Cl].2. – 4.2.2.1. – ondes – 7.3.2.1.)

Commissioned by Donaueschinger Musiktage 2021

Performance materials: available here
An Ocean of Years (2019-21) 21’ symphony orchestra (2.2.2.2. – 4.2.3.1. – 2 Perc. Cel. Hp. – 7.6.5.4.3.)

Commissioned by the Konzerthaus Berlin

Performance materials: available here
      Eternity in an hour
(2018/19) 14’ symphony orchestra (2.2.2.2 – 4.2.3.1. – Timp. Cel. – 8.7.6.5.4.)

Commissioned by Vienna Philharmonic

Score and programme notes: available here

Performance materials: available here

      Eternal Return
(2018) 7’ symphony orchestra (3.3.3.3.A.Sax. – 4.3.3.1. – 4 Perc. Timp. Hp. Cel. – 7.6.5.4.3.)

Commissioned by Breitkopf & Härtel for its 300th Anniversary

Score and programme notes: available here

Performance materials: available here

      Man Made
(2017/18) 20’ Soprano and Chamber Orchestra 2(picc.A-fl).0.2(B-clar.db-clar).2(dble bsn). – 2.0.0.0. – perc – str: 4.0.3.2.1.

Commissioned by Philharmonia Orchestra London

Score and programme notes: available here

Performance materials: available here

      Aimless Wonder
(2017) 30’ 2 horns and string orchestra (0.0.0.0. – 2.0.0.0. – str (vl solo, va solo, vc solo))

Commissioned by Munich Chamber Orchestra

Score and programme notes: available here

Performance materials: available here

      Sympathetic Resonance
(2015) 10’ symphony orchestra (4.4.4.4.- 4.4.4.1. – 1 timp. 3 perc. 1 hp. 1 pno. – 16, 14, 12, 10, 8.)

Commissioned by Radio France

Score and programme notes: available here

Performance materials: available here

      Isolarion - Rituals of Resonance
(2012/13) 20’ symphony orchestra (3.3.3.3. – 6.4.3.1. – 6 perc.1 hp. 1 pno./cel. – 7.6.5.4.3.)

Commissioned by Lucerne Festival Academy Orchestra

Score and programme notes: available here

Performance materials: available here

      Clear Night
(2007/08) 5’ symphony orchestra (3.3.3.3. – 4.3.3.1. – 2.1.1. – 7.6.5.4.3.)

Commissioned by London Symphony Orchestra

Score and programme notes: available here
      From Bursting Suns Escaping
(2006) 3’ symphony orchestra (3.3.3.3. – 4.3.3.1. – 2 perc. 1 hp. 1 pno. – 7.6.5.4.3.)

Composed for LSO Panufnik Young Composer Project 2006

Score and programme notes: available here
      Aspects of Radiance
(2005) 10’ symphony orchestra (2.2.2.2. – 4.2.3.1. – 2 perc. 1 hp. 1 pno. – 6.5.4.3.2.) Score and programme notes: available here
Ensemble
The Oddity Effect (2024/25) 30’ S.A.T.B. Choir (16 voices), 1.1.1.1.-1.1.1.1.- 2 perc. 1 pno. 1 synth – 2.2.2.1.

Co-Commissioned by Ensemble Modern & SWR Vokalensemble

Performance materials: available here
Figures in a landscape (awaiting eternity) [spatial version] (2023) 50’ On-stage: clarinet, violin, cello, piano; Off-stage: trumpet, organ, spatialised string ensemble

Commissioned by Festival Musikdorf Ernen

Performance materials: on request from composer
Hölderlin’s Madness (2023) 35’ mezzo soprano, flute, clarinet, theremin, E-guitar, percussion, piano, violin, cello, electronics

Commissioned by SWR Experimentalstudio Freiburg

Performance materials: on request from the composer

Trailer: available here

Invisible Threads (2022-23) 70’ vocal sextet (S.S.A.T.Bar.B.), bass clarinet, accordion, string quartet

Commissioned by Wittenertage für Neue Kammermusik 2023

Performance materials: available here
The Singing Tree (2018 – 2022) 45’ 5 vocal soloists (S.M-S.T.Bar.B), Children’s Choir, Large Ensemble

Commissioned by BCMG

Performance materials: available here
      Zwischen den Sternen
(2018/19) 40’ 8 players: flute/bass flute, bass oboe, clarinet/contrabass, scordatura piano, percussion, string trio (violin, viola, cello doubling on scordatura instruments)

Commissioned by Ensemble Recherche

Score and programme notes: available here

Performance materials: available here

      In the Midst of the Sonorous Islands
(2016) 30’ 16 players: flute, oboe, clarinet, bassoon, horn, trumpet, trombone, tuba, percussion, harp, piano, violins, viola, cello, double bass; and entire audience participation (using tin foil, baoding balls, triangles, harmonicas and glass bottles)

Commissioned by ART MENTOR FOUNDATION LUCERNE for the project “CONNECT – the audience as artists”

Score and programme notes: available here

Performance materials: available here

      Open to Infinity: a Grain of Sand
(2015) 10’ 15 players: flute, oboe, clarinet, bassoon, horn, trumpet, trombone, vibraphone, harp, piano, violins, viola, cello, double bass

Co-Commissioned by Lucerne Festival and BBC Proms 

Score and programme notes: available here

Performance materials: available here
      Layers of Love
(2015) 11’ 13 players: alto flute, cor anglais, bass clarinet, bassoon, horn, flugelhorn, trombone, tuba, violins, viola, cello, contrabass

Composed for the Ernst von Siemens Musikstiftung Composer Prize 2015

Score and programme notes: available here

Performance materials: available here

      The Years of Light
(2013/14) 14’ 2 voices and large mixed ensemble (25 players):
soprano, mezzo soprano, 2 trumpets, 2 clarinets, 12 harmonicas, 3 flutes, percussion, harp, piano/celeste, 3 cellos

Commissioned by Tanglewood Festival of Contemporary Music

Score and programme notes: available here
      Remember the Golden Age?
(2014) 7’ 12 Harmonicas and 1 percussion

Composed for Darmstadt Ferienkurse Percussion Workshop 2014

Score and programme notes: available here
      Fragments for Eternity
(2012) 7’ 7 – 9 players: soprano, flute and/or alto flute, trumpet, 2 percussion, harp, viola and/or cello

Commissioned by Octandre Ensemble

Score and programme notes: available here
      Looking for the Land that is Nowhere
(2010) 14’ 9 players: theremin and scordatura string octet

Commissioned by Royal Philharmonic Society

Score and programme notes: available here
      Noctilucence
(2009) 12’ 8 players: flute, clarinet, glockenspiel, piano, string quartet

Commissioned by Britten Sinfonia

Score and programme notes: available here
      In Time Entwined, In Space Enlaced
(2008) 10’ 9 players: flute, cor anglais, clarinet, 3 percussion, violin, viola, cello; and 36 audience harmonicas.

Commissioned by London Sinfonietta

Score and programme notes: available here
      Seeking sweet springs
(2007) 7’ 9 players: flute, clarinet, alto saxophone, percussion, guitar, violin, viola, cello

Composed for Royaumont Voix Nouvelles

Score and programme notes: available here
      Under Heaven sometimes
(2006) 10’ 8 players: shakuhachi, sho, oboe d’amore, clarinet, viola, harp, 2 kotos

Commissioned by SPNM/Okeanos

Score and programme notes: available here
Chamber
Tristesse pour les temps perdus (2024) 17’ solo tenor cello & Baroque ensemble (2 flutes, chamber organ, string quintet)

Commissioned by Elinor Frey and Il Gardellino with the kind support of Phyllis Lambert

Performance materials: available here
3 Hölderlin Songs: I would sing of thee, but only tears (2024) 15’ voice, theremin, tuned glasses, musical saw, e-guitar

Commissioned by Festival Schloss Mediale Werdenberg

Performance materials: on request from the composer
Figures in a landscape (awaiting eternity) [chamber version] (2024) 20’ clarinet, violin, cello, piano

Commissioned by Festival Musikdorf Ernen

Performance materials: on request from the composer
      Shadowy fish
(2020) 17’ ‘trout’ quintet: violin, viola, cello, double bass, piano

Commissioned by Festival Nouveaux Horizons

Score and programme notes: available here

Performance materials: available here

      This present moment used to be the unimaginable future...
(2019) 20’ string quartet

Commissioned by the Kölner Philharmonie (KölnMusik) for the “non bthvn projekt” 2020 and the Cité de la musique / Philharmonie de Paris

Score and programme notes: available here

Performance materials: available here

Inner Landscapes (piano quintet version) (2019) 20’ piano, string quartet

Commissioned by Concours Brin d’Herbe

Performance materials: available here
      I wandered for a while...
(2019) 7’ piccolo, cello, bells, electronics, piano

Written for Octandre Ensemble & International Künstlerhaus Villa Concordia

Performance materials: on request from the composer
      Sardinian Songbook
(2018) 15’ string quartet

Commissioned by Ligeti Quartet

Score and programme notes: available here

Performance materials: available here

      Tuvan Songbook
(2016) 15’ string quartet

Commissioned by Ligeti Quartet

Score and programme notes: available here

Performance materials: available here

Lahara (2015/16) 13’ percussion sextet

Commissioned for the opening season of the Asian Cultural Complex – Asian Arts Theatre Gwangju, South Korea

Performance materials: available here
      In Late Night I Thank Cage
(2014) 3’ 7 players: soprano, mezzo, 2 alto flutes, harp, viola, cello

Commissioned by Octandre Ensemble

Score and programme notes: available here

Performance materials: on request from the composer

Isolarion II (2012) 7’ brass quintet (2 trumpets, horn, trombone, tuba)

Commissioned by LSO Brass Quintet

Performance materials: on request from the composer
      Sai Ma/Racing Horses
(2012) 5’ string quartet

Commissioned by Ligeti Quartet

Score and programme notes: available here

Performance materials: available here

TRIO: In Space Enlaced (2008/2012) 10’ flute, oboe, clarinet

Commissioned by Pharos Arts Foundation

Performance materials: available here
      TRIO: In Time Entwined
(2008) 7’ bass flute, cor anglais, viola

Written for Takefu International Festival

Score and programme notes: available here

Performance materials: on request from the composer

      Equinoxes of the Infinite
(2008) 8’ 2 pianos, 2 percussion

Written for Acanthes Festival 2008

Performance materials: on request from the composer
Solo/Duo
And dream me out to blissful vistas… (2025) 5’ violin, piano & tape

Commissioned by SWR Experimentalstudio Freiburg for Patricia Kopatchinskaja and Joonas Ahonen

Performance materials: in preparation
Duo (2025) 10’ violin & cello

Commissioned by Elena Cappelletti and Federico Ceppetelli

Performance materials: on request from the composer
Lost in the Horizon (2022) 7’ solo piccolo and pre-recorded bass flutes

Commissioned by RAM 200

Performance materials: available here
The Singing Sea (2018) 5’ tuba solo

Commissioned by Jack Adler-McKean

Performance materials: on request from the composer
Inner Landscapes (2018) 17’ piano solo

Commissioned by Concours Brin d’Herbe

Performance materials: available here
Remembered Radiance (2018) 18’ piano (+ tibetan bowl) and percussion (2 rin, harmonica) duo

Commissioned by Occupy the Pianos for Joseph Houston

Performance materials: on request from the composer
      Bird learning to fly
(2017) 7’ solo scordatura cello: strung with 4 A-strings tuned to partials 8, 10, 11, 12 of a low C-spectrum

Composed for Corentin Chassard

Performance materials: on request from the composer
In a world of invisible waves: a butterfly (2016) 5’ piano solo

Commissioned by Festspiele Europäische Wochen Passau

Performance materials: available here
Isolarion III (2016) 14’ piano duo

Commissioned by Francois-Green Piano Duo

Performance materials: available here
      Remembered Resonance
(2014) 8’ piano solo with Japanese wind chimes

Commissioned by Joseph Houston

Score and programme notes: available here
      Learning Self Modulation
(2011) 22’ violin (+ scordatura violin) and piano (+ rin)

Co-Commissioned by Musée du Louvre, Paris; Museo Nacional Centro de Arte Reina Sofia, Madrid; and Wigmore Hall, London; for Carolin Widmann and Simon Lepper.

Score and programme notes: available here

Performance materials: available here

      Incandescence
(2011) 15’ cello solo

Commissioned by Aldeburgh Festival 2o11 for Jean-Guihen Queyras

Score and programme notes: available here

Performance materials: available here

On Love and Death – 5 Rossetti Songs (2011) 25’ saxophone and piano (arrangement of song cycle)

Arranged for Nick Roth and Rika Zayasu

Performance materials: on request from the composer
Heaven’s Chimes are Slow (2010) 7’ flute and piano

Composed for Audrey Milheres & Joseph Houston

Performance materials: on request from the composer
The Lamp Light in the Willow Trees (2009) 9’ saxophone and cello

Composed for Roberto Genova & Antonis Pratsinakis

Performance materials: on request from the composer
Efflorescence (2008) 9’ violin solo

Commissioned by SPNM and LSO for Midori

Performance materials: available here
      When Joy Became Mixed with Grief
(2007) 8’ violin solo

Composed for Mieko Kanno 

Score and programme notes: available here

Performance materials: available here

…just as the sun is always… (2006) 8’ piano solo

Commissioned by David Beer

Performance materials: available here
Choral
The Oddity Effect (2024/25) 30’ S.A.T.B. Choir (16 voices), 1.1.1.1.-1.1.1.1.- 2 perc. 1 pno. 1 synth – 2.2.2.1.

Commissioned by Ensemble Modern and SWR Vokalensemble

Performance materials: available here
      Unseen Seasons
(2013) 17’ A cappella 8-part choir (SSAATTBB)

Commissioned by Shizuoka Concert Hall for Tokyo Philharmonic Choir

Score and programme notes: available here

Performance materials: available here

Vocal
So close to another (2024) 5’ soprano & piano

Commissioned by Helen Kearns and Francois Dumont

Performance materials: on request from composer
3 Hölderlin Songs: I would sing of thee, but only tears (2024) 15’ voice, theremin, tuned glasses, musical saw, e-guitar

Commissioned by Festival Schlossmediale Werdenberg

Performance materials: on request from composer
Hölderlin’s Madness (2023) 35’ mezzo soprano, flute, clarinet, theremin, E-guitar, percussion, piano, violin, cello, electronics

Commissioned by SWR Experimentalstudio Freiburg

Performance materials: on request from composer
Invisible Threads (2022-23) 70’ vocal sextet (S.S.A.T.Bar.B.), bass clarinet, accordion, string quartet

Commissioned by Wittener Tage für Neue Kammermusik 2023

Performance materials:available here
The Singing Tree (2018 – 2022) 45’ 5 vocal soloists (S.M-S.T.Bar.B), Children’s Choir, Large Ensemble

Commissioned by BCMG

Performance materials: available here
The People’s Council Sends a Message to the Viceroy (2018) 7’ Tenor and piano

Commissioned by National Opera Studio

Performance materials: on request from composer

Somewhere between us… (2014) 7’ Amplified SATB vocal quartet, Paetzold bass recorder

Composed for ENOA Opera Creation Workshop, LOD, Ghent

Score and programme notes: available here.
      In Late Late Night I Thank Cage
(2014) 3’ soprano, mezzo soprano, 2 alto flutes, harp, viola, cello

Commissioned by Octandre Ensemble

Score and programme notes: available here
      The Years of Light
(2013/14) 14’ 2 voices and large mixed ensemble (25 players):
soprano, mezzo soprano, 2 trumpets, 2 clarinets, 12 harmonicas, 3 flutes, percussion, harp, piano/celeste, 3 cellos

Commissioned by Tanglewood Festival of Contemporary Music

Score and programme notes: available here
On Love and Death – 5 Rossetti Songs (2009-11) 25′ soprano and piano Score and programme notes: available here
Opera
Remnants (2016-17) 70′ 4 live voices and pre-recorded S.A. choir further details
Triptych: Reunion (2014) 20′ 5 voices and tape further details
Theatre
As Good a Time as Any (2015) Written and directed by Peter Gill April/May 2015 at The Print Room, Notting Hill
Making Noise Quietly (2012) Written by Robert Holman / Directed by Peter Gill April/May 2012 at Donmar Warehouse
The Breath of Life (2009) Written by David Hare and directed by Peter Gill February 2011 at Lyceum Theatre Sheffield
Another Door Closed (2009) Written and directed by Peter Gill August 2009 at the Ustinov Studio, Theatre Royal Bath
Dance
As if it was my first and last… 2008/09 15’ For the breath sounds of three dancers Choreographers: Christina Towle and Laurance Pages
Collaboration at Abbaye de Royaumont as part of the project Transforme: L’Espace (2008/09).
BLOB 2008/09 15’ electronic music Choreographers: Emily Gallier and Clémence Coconier
Collaboration at Abbaye de Royaumont as part of the project Transforme: L’Espace (2008/09).

Performances:
June 2010, festival Echappee Belle Blanquefort
February 2010 JTCE La Cascade Bourg Saint Andeol
August 2008 PRCC Royaumont

Multimedia/Installation
in unknown elements… in endless transmutation… (2023) 50’ Quadraphonic sound installation Further information: available here 
A Kingfisher dives into the sun… (2019) 24’ electronic soundscape with video (made in collaboration with James Stephen Wright)  
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