| Deep Dazzling Darkness | (2025) | 24’ | solo double bass – string orchestra
Commissioned by Orchestre National d’Auvergne-Rhône-Alpes |
Performance materials: available here |
| Thaleia – flute concerto | (2023/24) | 21’ | 3.3.2.2. – 4.0.0.0. – hp. 2 perc. – solo fl./picc. – strings (10.8.6.4.2.)
Co-Commissioned by the Orchestre Philharmonique Royal de Liège and the Philip Loubser Foundation |
Performance materials: available here |
| Voix Terrestre | (2022) | 23’ | string orchestra
Commissioned by Orchestre National d’Auvergne |
Performance materials: available here |
Voix Céleste
|
(2021) | 15’ | string orchestra
Commissioned by Orchestre National d’Auvergne |
Performance materials: available here |
Somewhere in the Distance (Lost in the Horizon)
|
(2021) | 19’ | spatialised orchestra with ondes martenot and tape (4[B.Fl].2.4[B.Cl].2. – 4.2.2.1. – ondes – 7.3.2.1.)
Commissioned by Donaueschinger Musiktage 2021 |
Performance materials: available here |
| An Ocean of Years | (2019-21) | 21’ | symphony orchestra (2.2.2.2. – 4.2.3.1. – 2 Perc. Cel. Hp. – 7.6.5.4.3.)
Commissioned by the Konzerthaus Berlin |
Performance materials: available here |
Eternity in an hour
|
(2018/19) | 14’ | symphony orchestra (2.2.2.2 – 4.2.3.1. – Timp. Cel. – 8.7.6.5.4.)
Commissioned by Vienna Philharmonic |
Score and programme notes: available here
Performance materials: available here |
Eternal Return
|
(2018) | 7’ | symphony orchestra (3.3.3.3.A.Sax. – 4.3.3.1. – 4 Perc. Timp. Hp. Cel. – 7.6.5.4.3.)
Commissioned by Breitkopf & Härtel for its 300th Anniversary |
Score and programme notes: available here
Performance materials: available here |
Man Made
|
(2017/18) | 20’ | Soprano and Chamber Orchestra 2(picc.A-fl).0.2(B-clar.db-clar).2(dble bsn). – 2.0.0.0. – perc – str: 4.0.3.2.1.
Commissioned by Philharmonia Orchestra London |
Score and programme notes: available here
Performance materials: available here |
Aimless Wonder
|
(2017) | 30’ | 2 horns and string orchestra (0.0.0.0. – 2.0.0.0. – str (vl solo, va solo, vc solo))
Commissioned by Munich Chamber Orchestra |
Score and programme notes: available here
Performance materials: available here |
Sympathetic Resonance
|
(2015) | 10’ | symphony orchestra (4.4.4.4.- 4.4.4.1. – 1 timp. 3 perc. 1 hp. 1 pno. – 16, 14, 12, 10, 8.)
Commissioned by Radio France |
Score and programme notes: available here
Performance materials: available here |
Isolarion - Rituals of Resonance
|
(2012/13) | 20’ | symphony orchestra (3.3.3.3. – 6.4.3.1. – 6 perc.1 hp. 1 pno./cel. – 7.6.5.4.3.)
Commissioned by Lucerne Festival Academy Orchestra |
Score and programme notes: available here
Performance materials: available here |
Clear Night
|
(2007/08) | 5’ | symphony orchestra (3.3.3.3. – 4.3.3.1. – 2.1.1. – 7.6.5.4.3.)
Commissioned by London Symphony Orchestra |
Score and programme notes: available here |
From Bursting Suns Escaping
|
(2006) | 3’ | symphony orchestra (3.3.3.3. – 4.3.3.1. – 2 perc. 1 hp. 1 pno. – 7.6.5.4.3.)
Composed for LSO Panufnik Young Composer Project 2006 |
Score and programme notes: available here |
Aspects of Radiance
|
(2005) | 10’ | symphony orchestra (2.2.2.2. – 4.2.3.1. – 2 perc. 1 hp. 1 pno. – 6.5.4.3.2.) | Score and programme notes: available here |
| The Oddity Effect | (2024/25) | 30’ | S.A.T.B. Choir (16 voices), 1.1.1.1.-1.1.1.1.- 2 perc. 1 pno. 1 synth – 2.2.2.1.
Co-Commissioned by Ensemble Modern & SWR Vokalensemble |
Performance materials: available here |
| Figures in a landscape (awaiting eternity) [spatial version] | (2023) | 50’ | On-stage: clarinet, violin, cello, piano; Off-stage: trumpet, organ, spatialised string ensemble
Commissioned by Festival Musikdorf Ernen |
Performance materials: on request from composer |
| Hölderlin’s Madness | (2023) | 35’ | mezzo soprano, flute, clarinet, theremin, E-guitar, percussion, piano, violin, cello, electronics
Commissioned by SWR Experimentalstudio Freiburg |
Performance materials: on request from the composer
Trailer: available here |
| Invisible Threads | (2022-23) | 70’ | vocal sextet (S.S.A.T.Bar.B.), bass clarinet, accordion, string quartet
Commissioned by Wittenertage für Neue Kammermusik 2023 |
Performance materials: available here |
| The Singing Tree | (2018 – 2022) | 45’ | 5 vocal soloists (S.M-S.T.Bar.B), Children’s Choir, Large Ensemble
Commissioned by BCMG |
Performance materials: available here |
Zwischen den Sternen
|
(2018/19) | 40’ | 8 players: flute/bass flute, bass oboe, clarinet/contrabass, scordatura piano, percussion, string trio (violin, viola, cello doubling on scordatura instruments)
Commissioned by Ensemble Recherche |
Score and programme notes: available here
Performance materials: available here |
In the Midst of the Sonorous Islands
|
(2016) | 30’ | 16 players: flute, oboe, clarinet, bassoon, horn, trumpet, trombone, tuba, percussion, harp, piano, violins, viola, cello, double bass; and entire audience participation (using tin foil, baoding balls, triangles, harmonicas and glass bottles)
Commissioned by ART MENTOR FOUNDATION LUCERNE for the project “CONNECT – the audience as artists” |
Score and programme notes: available here
Performance materials: available here |
Open to Infinity: a Grain of Sand
|
(2015) | 10’ | 15 players: flute, oboe, clarinet, bassoon, horn, trumpet, trombone, vibraphone, harp, piano, violins, viola, cello, double bass
Co-Commissioned by Lucerne Festival and BBC Proms |
Score and programme notes: available here Performance materials: available here |
Layers of Love
|
(2015) | 11’ | 13 players: alto flute, cor anglais, bass clarinet, bassoon, horn, flugelhorn, trombone, tuba, violins, viola, cello, contrabass
Composed for the Ernst von Siemens Musikstiftung Composer Prize 2015 |
Score and programme notes: available here Performance materials: available here |
The Years of Light
|
(2013/14) | 14’ | 2 voices and large mixed ensemble (25 players): soprano, mezzo soprano, 2 trumpets, 2 clarinets, 12 harmonicas, 3 flutes, percussion, harp, piano/celeste, 3 cellos Commissioned by Tanglewood Festival of Contemporary Music |
Score and programme notes: available here |
Remember the Golden Age?
|
(2014) | 7’ | 12 Harmonicas and 1 percussion
Composed for Darmstadt Ferienkurse Percussion Workshop 2014 |
Score and programme notes: available here |
Fragments for Eternity
|
(2012) | 7’ | 7 – 9 players: soprano, flute and/or alto flute, trumpet, 2 percussion, harp, viola and/or cello
Commissioned by Octandre Ensemble |
Score and programme notes: available here |
Looking for the Land that is Nowhere
|
(2010) | 14’ | 9 players: theremin and scordatura string octet
Commissioned by Royal Philharmonic Society |
Score and programme notes: available here |
Noctilucence
|
(2009) | 12’ | 8 players: flute, clarinet, glockenspiel, piano, string quartet
Commissioned by Britten Sinfonia |
Score and programme notes: available here |
In Time Entwined, In Space Enlaced
|
(2008) | 10’ | 9 players: flute, cor anglais, clarinet, 3 percussion, violin, viola, cello; and 36 audience harmonicas.
Commissioned by London Sinfonietta |
Score and programme notes: available here |
Seeking sweet springs
|
(2007) | 7’ | 9 players: flute, clarinet, alto saxophone, percussion, guitar, violin, viola, cello
Composed for Royaumont Voix Nouvelles |
Score and programme notes: available here |
Under Heaven sometimes
|
(2006) | 10’ | 8 players: shakuhachi, sho, oboe d’amore, clarinet, viola, harp, 2 kotos
Commissioned by SPNM/Okeanos |
Score and programme notes: available here |
| Tristesse pour les temps perdus | (2024) | 17’ | solo tenor cello & Baroque ensemble (2 flutes, chamber organ, string quintet)
Commissioned by Elinor Frey and Il Gardellino with the kind support of Phyllis Lambert |
Performance materials: available here |
| 3 Hölderlin Songs: I would sing of thee, but only tears | (2024) | 15’ | voice, theremin, tuned glasses, musical saw, e-guitar
Commissioned by Festival Schloss Mediale Werdenberg |
Performance materials: on request from the composer |
| Figures in a landscape (awaiting eternity) [chamber version] | (2024) | 20’ | clarinet, violin, cello, piano
Commissioned by Festival Musikdorf Ernen |
Performance materials: on request from the composer |
Shadowy fish
|
(2020) | 17’ | ‘trout’ quintet: violin, viola, cello, double bass, piano
Commissioned by Festival Nouveaux Horizons |
Score and programme notes: available here
Performance materials: available here |
This present moment used to be the unimaginable future...
|
(2019) | 20’ | string quartet
Commissioned by the Kölner Philharmonie (KölnMusik) for the “non bthvn projekt” 2020 and the Cité de la musique / Philharmonie de Paris |
Score and programme notes: available here
Performance materials: available here |
| Inner Landscapes (piano quintet version) | (2019) | 20’ | piano, string quartet
Commissioned by Concours Brin d’Herbe |
Performance materials: available here |
I wandered for a while...
|
(2019) | 7’ | piccolo, cello, bells, electronics, piano
Written for Octandre Ensemble & International Künstlerhaus Villa Concordia |
Performance materials: on request from the composer |
Sardinian Songbook
|
(2018) | 15’ | string quartet
Commissioned by Ligeti Quartet |
Score and programme notes: available here
Performance materials: available here |
Tuvan Songbook
|
(2016) | 15’ | string quartet
Commissioned by Ligeti Quartet |
Score and programme notes: available here
Performance materials: available here |
| Lahara | (2015/16) | 13’ | percussion sextet
Commissioned for the opening season of the Asian Cultural Complex – Asian Arts Theatre Gwangju, South Korea |
Performance materials: available here |
In Late Night I Thank Cage
|
(2014) | 3’ | 7 players: soprano, mezzo, 2 alto flutes, harp, viola, cello
Commissioned by Octandre Ensemble |
Score and programme notes: available here Performance materials: on request from the composer |
| Isolarion II | (2012) | 7’ | brass quintet (2 trumpets, horn, trombone, tuba)
Commissioned by LSO Brass Quintet |
Performance materials: on request from the composer |
Sai Ma/Racing Horses
|
(2012) | 5’ | string quartet
Commissioned by Ligeti Quartet |
Score and programme notes: available here Performance materials: available here |
| TRIO: In Space Enlaced | (2008/2012) | 10’ | flute, oboe, clarinet
Commissioned by Pharos Arts Foundation |
Performance materials: available here |
TRIO: In Time Entwined
|
(2008) | 7’ | bass flute, cor anglais, viola
Written for Takefu International Festival |
Score and programme notes: available here Performance materials: on request from the composer |
Equinoxes of the Infinite
|
(2008) | 8’ | 2 pianos, 2 percussion
Written for Acanthes Festival 2008 |
Performance materials: on request from the composer |
| And dream me out to blissful vistas… | (2025) | 5’ | violin, piano & tape
Commissioned by SWR Experimentalstudio Freiburg for Patricia Kopatchinskaja and Joonas Ahonen |
Performance materials: in preparation |
| Duo | (2025) | 10’ | violin & cello
Commissioned by Elena Cappelletti and Federico Ceppetelli |
Performance materials: on request from the composer |
| Lost in the Horizon | (2022) | 7’ | solo piccolo and pre-recorded bass flutes
Commissioned by RAM 200 |
Performance materials: available here |
| The Singing Sea | (2018) | 5’ | tuba solo
Commissioned by Jack Adler-McKean |
Performance materials: on request from the composer |
| Inner Landscapes | (2018) | 17’ | piano solo
Commissioned by Concours Brin d’Herbe |
Performance materials: available here |
| Remembered Radiance | (2018) | 18’ | piano (+ tibetan bowl) and percussion (2 rin, harmonica) duo
Commissioned by Occupy the Pianos for Joseph Houston |
Performance materials: on request from the composer |
Bird learning to fly
|
(2017) | 7’ | solo scordatura cello: strung with 4 A-strings tuned to partials 8, 10, 11, 12 of a low C-spectrum
Composed for Corentin Chassard |
Performance materials: on request from the composer |
| In a world of invisible waves: a butterfly | (2016) | 5’ | piano solo
Commissioned by Festspiele Europäische Wochen Passau |
Performance materials: available here |
| Isolarion III | (2016) | 14’ | piano duo
Commissioned by Francois-Green Piano Duo |
Performance materials: available here |
Remembered Resonance
|
(2014) | 8’ | piano solo with Japanese wind chimes
Commissioned by Joseph Houston |
Score and programme notes: available here |
Learning Self Modulation
|
(2011) | 22’ | violin (+ scordatura violin) and piano (+ rin)
Co-Commissioned by Musée du Louvre, Paris; Museo Nacional Centro de Arte Reina Sofia, Madrid; and Wigmore Hall, London; for Carolin Widmann and Simon Lepper. |
Score and programme notes: available here Performance materials: available here |
Incandescence
|
(2011) | 15’ | cello solo
Commissioned by Aldeburgh Festival 2o11 for Jean-Guihen Queyras |
Score and programme notes: available here Performance materials: available here |
| On Love and Death – 5 Rossetti Songs | (2011) | 25’ | saxophone and piano (arrangement of song cycle)
Arranged for Nick Roth and Rika Zayasu |
Performance materials: on request from the composer |
| Heaven’s Chimes are Slow | (2010) | 7’ | flute and piano
Composed for Audrey Milheres & Joseph Houston |
Performance materials: on request from the composer |
| The Lamp Light in the Willow Trees | (2009) | 9’ | saxophone and cello
Composed for Roberto Genova & Antonis Pratsinakis |
Performance materials: on request from the composer |
| Efflorescence | (2008) | 9’ | violin solo
Commissioned by SPNM and LSO for Midori |
Performance materials: available here |
When Joy Became Mixed with Grief
|
(2007) | 8’ | violin solo
Composed for Mieko Kanno |
Score and programme notes: available here Performance materials: available here |
| …just as the sun is always… | (2006) | 8’ | piano solo
Commissioned by David Beer |
Performance materials: available here |
| The Oddity Effect | (2024/25) | 30’ | S.A.T.B. Choir (16 voices), 1.1.1.1.-1.1.1.1.- 2 perc. 1 pno. 1 synth – 2.2.2.1.
Commissioned by Ensemble Modern and SWR Vokalensemble |
Performance materials: available here |
Unseen Seasons
|
(2013) | 17’ | A cappella 8-part choir (SSAATTBB)
Commissioned by Shizuoka Concert Hall for Tokyo Philharmonic Choir |
Score and programme notes: available here Performance materials: available here |
| So close to another | (2024) | 5’ | soprano & piano
Commissioned by Helen Kearns and Francois Dumont |
Performance materials: on request from composer |
| 3 Hölderlin Songs: I would sing of thee, but only tears | (2024) | 15’ | voice, theremin, tuned glasses, musical saw, e-guitar
Commissioned by Festival Schlossmediale Werdenberg |
Performance materials: on request from composer |
| Hölderlin’s Madness | (2023) | 35’ | mezzo soprano, flute, clarinet, theremin, E-guitar, percussion, piano, violin, cello, electronics
Commissioned by SWR Experimentalstudio Freiburg |
Performance materials: on request from composer |
| Invisible Threads | (2022-23) | 70’ | vocal sextet (S.S.A.T.Bar.B.), bass clarinet, accordion, string quartet
Commissioned by Wittener Tage für Neue Kammermusik 2023 |
Performance materials:available here |
| The Singing Tree | (2018 – 2022) | 45’ | 5 vocal soloists (S.M-S.T.Bar.B), Children’s Choir, Large Ensemble
Commissioned by BCMG |
Performance materials: available here |
| The People’s Council Sends a Message to the Viceroy | (2018) | 7’ | Tenor and piano
Commissioned by National Opera Studio |
Performance materials: on request from composer |
| Somewhere between us… | (2014) | 7’ | Amplified SATB vocal quartet, Paetzold bass recorder
Composed for ENOA Opera Creation Workshop, LOD, Ghent |
Score and programme notes: available here. |
In Late Late Night I Thank Cage
|
(2014) | 3’ | soprano, mezzo soprano, 2 alto flutes, harp, viola, cello
Commissioned by Octandre Ensemble |
Score and programme notes: available here |
The Years of Light
|
(2013/14) | 14’ | 2 voices and large mixed ensemble (25 players): soprano, mezzo soprano, 2 trumpets, 2 clarinets, 12 harmonicas, 3 flutes, percussion, harp, piano/celeste, 3 cellos Commissioned by Tanglewood Festival of Contemporary Music |
Score and programme notes: available here |
| On Love and Death – 5 Rossetti Songs | (2009-11) | 25′ | soprano and piano | Score and programme notes: available here |
| Remnants | (2016-17) | 70′ | 4 live voices and pre-recorded S.A. choir | further details |
| Triptych: Reunion | (2014) | 20′ | 5 voices and tape | further details |
| As Good a Time as Any | (2015) | Written and directed by Peter Gill | April/May 2015 at The Print Room, Notting Hill |
| Making Noise Quietly | (2012) | Written by Robert Holman / Directed by Peter Gill | April/May 2012 at Donmar Warehouse |
| The Breath of Life | (2009) | Written by David Hare and directed by Peter Gill | February 2011 at Lyceum Theatre Sheffield |
| Another Door Closed | (2009) | Written and directed by Peter Gill | August 2009 at the Ustinov Studio, Theatre Royal Bath |
| As if it was my first and last… | 2008/09 | 15’ | For the breath sounds of three dancers | Choreographers: Christina Towle and Laurance Pages Collaboration at Abbaye de Royaumont as part of the project Transforme: L’Espace (2008/09). |
| BLOB | 2008/09 | 15’ | electronic music | Choreographers: Emily Gallier and Clémence Coconier Collaboration at Abbaye de Royaumont as part of the project Transforme: L’Espace (2008/09). Performances: |
| in unknown elements… in endless transmutation… | (2023) | 50’ | Quadraphonic sound installation | Further information: available here |
| A Kingfisher dives into the sun… | (2019) | 24’ | electronic soundscape with video (made in collaboration with James Stephen Wright) |
